Well folks, here is one of the reasons why I've been busy... 
I am pleased to announce the upcoming launch of our short animal film, "Sugar", which is the first installment of our "Adventurous Tails" series!
Synopsis:
Sugar lives a wonderful life with a family who loves and cares for her and all her friends’ needs. One day, however, all that changes. Sugar and all her dog friends are off to the rescue in this delightful adventure about respect and a thankful attitude. A film for the young and young at heart.
Out of 250 film submissons, this film is one of the few that will be screened as semi-finalists at the San Antonio Independent Christian Film Festival. [LINK]
View the Teaser Now at http://www.adventuroustails.com/
And be sure to subscribe to the E-Mail list to be the first to know when the DVD is released: [LINK]
God bless you all,
The Globe Reacher
I recently had the great privilege of making a promotional video for a ministry called Trucks for Huck. I call it a ministry because it really is more then a political group; they minister the gospel to the truckers they talk to all the time.
The representative from the ministry only sent me some pictures of the truckers with the Trucks for Huck signs, some video clips of the ride in the trucks, and some quotes from the truckers.. I had to get creative, adding stock footage of trucks and roadways, graphic overlays and transitions, and the music. This just goes to show that with a little creativity, virtually anything is possible.
The video was posted on Mike Huckabee's campaign blog before his loss in Texas, resulting in his website being re-directed.
Here is the video:
I made this Demo Reel following Rick Green's Demo Reel Tutorial [LINK].
Even if you aren't a potential client for us, comment and tell me why or why it wouldn't would make you more likely to hire us if you were.
I use Adobe Premiere Pro 2.0 [LINK] to edit all my projects. And believe it or not, I rarely use something like Adobe After Effects [LINK]. Premiere is packed with fully customizable effects built-in.
After Effects, however, has it's place. If you need heavy, advanced effects (i.e. Lightsabers, fire, etc.), After Effects is worth looking at. Together, they work very well.
There has been a significant amount of debate about whether or not to go with Apple's Final Cut Pro or Adobe Premiere, and rightfully so; Final Cut is a very good editing software as well. But there is an interesting rarely known secret about this: Final Cut and Premiere were created by the same person. The workflows through them are almost identical. Here's two of the reasons why I stay with Premiere on Windows: There are thousands of little useful applications out there on the internet for free. If you want to get the equivalent for Mac, you're going to have to pay something, if you can find it at all. Another reason is the virtually seamless workflow between all of the Adobe products.
If you are based already off of the Windows platform, and are interested in professional-level editing software, I recommend that you stick with Windows. To switch completely to Mac will cost you an arm and a leg.
More detailed tutorials on how to do things in Premiere and After Effects coming soon!
This is the first episode in the Globe Reacher WebCast series.
A simple rubber band can greatly increase the value of your pan and tilting shots.
Special Thanks to Martin Beal for showing us this trick. http://www.bealmedia.com/
Be sure to comment if you have a trick that could become one of these episodes, or if you think this is helpful.
By God's grace, HeartStrings [LINK] won the Audience Choice and Young Filmmakers' Awards. This is the first time in SAICFF history that a young filmmaker takes Audience Choice. Praise be to God.
Yes yes, I know, I know. Why aren't I in the picture? Well, we aren't "officially" the filmmakers of HeartStrings. But we helped with HeartStrings. When you watch the Behind the Scenes of HeartStrings on the DVD, you'll understand. Ok, yes, I admit that John Moore wrote the script and was the official director... 
On a serious note, John Moore was an excellent director and manager of things. I truly admire his skills. 
Do be sure to pick up a DVD complete with the Behind the Scenes (I'm in there ) and other special features. You can do so at www.HeartStringsTheMovie.com
Hello, Folks. Sorry I've been so long in posting. Been very busy with several projects lately, including helping with HeuMoore Productions' [LINK] HeartStrings [LINK]. Our family helped with basically everything, including providing the equipment, working on set, and supporting the script.
HeartStrings is a Semi-Finalist in the San Antonio Independent Christian Film Festival.
Be sure to check out the teaser below.
Animation 1
Ok, we now have our fish rigged, lighted, and placed. We are ready to animate!
Before we animate, we must record the dialog audio so we can make the animation fit it. I used the Blue Snowball [LINK]. It's an excellent microphone. However, the audio in the clip below was recorded in a cheaper microphone... hence the popping... 
I did re-record the audio with the better microphone.. not to worry... It's just a prototype.
To animate, we must set keyframes.
Almost all virtual motion is created in frames. A frame is an image in a series of images. Movie cameras take about twenty-four frames each second. When the pictures are displayed one after another, the object that is filmed looks like it is moving. It isn't exactly twenty-four frames per second, so we call it 24p (Twenty-four frames per second progressive). For web video, to get smoother motion, we use 30 frames per second. That is what I am using for this project.
Keyframes are basically motion markers. Let's say I set a 3D object at the left side of the screen on Frame One in the timeline. If I switch to frame 30, then move the 3D object to the right side of the screen, when I play the animation, I will see the 3D object move across the screen in one second (because I used 30 frames). In this way, I can animate things growing or shrinking (scaling), rotating, or, of course, moving. This is how 3D animations are done.
Because this is probably going to be a TV commercial, I am going to render it out in High Definition (HD).
Ok, I move the camera to get it framed just right... oh, perfect!
Alright, I will start by lip syncing. This is when we make the motion of the character's mouth match the words that he speaks. I like using a built-in plugin called Morph Mixer. Basically this is just placing a keyframe for each morph as the character says each sound (called "phonemes") that makes up words. For example, if I wanted to make the fish say the word "fluffy", I would keyframe in the following phonemes: F-V, L-D-N, A-I, F-V, E, than back to Base (speechless) .
For this project, I do all the lip syncing first; than animate fins and tail, etc. I want the tail to have a nice flowing motion in the background, as you will see in the clip.
Alright, all of the lip syncing is done for Shot One. I now add a few keyframes to make the head and tail move to add more realism.
Well, I'm going to render Shot One out now. Rendering is basically when you tell the computer to generate the images. I am using a render farm. A render farm is basically a group of computers working together to render the shot. This shot took about 30 minutes to render. I will be including more information on how to set up a good render farm and use it efficiently in a future blog post.
Once the shot has been completely rendered out and compiled, I import the clip into Adobe Premiere Pro [LINK] and add the dialog.
When you shine light into rippling water, you get what are called Volumetrics (also called Godrays). To get this effect, I will composite in a clip of the Volumetrics that I created in Adobe After Effects [LINK]. With all of this together, here is what we have!
IMPORTANT! Do NOT watch this until you have read the above post!
Setting Up in Layout
Ok, we now have our two fishies. One battered (hee-hee-hee) and one healthy.
I opened LightWave Layout and imported both models.
Some of you are probably wondering what LightWave "Layout" is. Well, I'll tell you.
LightWave works in two applications: Modeler and Layout.
Modeler is where you model ("create or modify") your 3D models (objects).
Layout is where you animate (making dem' move!) and render (export) your animation.
I have the models ready, so that's why I'm moving into Layout.
Ok, I get the fish side-by-side and the begin basic rigging.
"Ok", you ask, "What's rigging?".
Well, to make characters move at joints, they have to have joints. 3D joints. To do that, we use 3D invisible bones.
Bones? Yes, bones. 3D objects with joints have bones. When visible, they make the fish look more like a robot than an animal... it's a good thing they are invisible in the final export.
I put a bone to move the head, and a few for the back and tail. As said before, the fin didn't need bones because they are controlled by morphs.
Alright, so I have the bones in place. Now I make sure that the morphs have the right control over the object shape.
Ok, I'm almost ready to animate! One last thing first... lighting.
Lighting? You mean in 3D you still have to deal with lighting?
Yep! 3D actually has virtual lights that you can move, rotate, and adjust in 3D space.
The different lights are:
Distant Light
A light good for a general key light (main light source). These are the lights I am using in this project; one on the left, and one on the right.
Spot Light
These lights are pretty much exactly what they are in real life. They can be just a plain beamed light source, or we can make them project an image like a projector.
Point Light
These are good for when you want light emitting from a certain point in all directions... like a candle, fire, etc.
I won't write anything about the other lights (Linear and Area lights) because... well... I don't know much about them myself.
Here is what they all look like; click on the image to enlarge.
Well, we have our fish in place, rigged, and lighted.
That's all for now, folks!
Next time Animation 1 !
Good Day, all.
I have been working on a project for a Marine Livestock online store. I will walk through it here as I work.
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I wanted the final result to be a sort of spoof of the Mac Ads [LINK] . So I sat down, and, very quickly, wrote a script. VERY quickly. I revised it very little before I set to work.
The concept was a couple of fish next to each other... one being beat-up looking, and the other looking good.
I skipped the storyboarding phase because, well, a couple of fish in a frame next to each other doesn't take a whole lot of visual planning.
I didn't have to do to much modeling... I simply went to a very good free marine models website [LINK], chose the Yellow Tail Clownfish, and downloaded it.
I use LightWave 3D (much to the chagrin of Blender [LINK] fans) to both model and animate. Yes, Blender is good too... I recommend it to those who would like to learn 3D, but don't have money to spend. Be sure to get some good tutorials to get a good foundation [LINK] .
I pulled the fish into LightWave Modeler, and gave it a basic 3D skeleton and mouth morphs. Mouth morphs are basically the different mouth positions that a character would use as he speaks. I made M-P-B, A-I, E, F-V, L-D-N-Th, O, and OO. Just move your mouth to figure out what each of those look like. I also included a few for emotions and basic fin movement... since I didn't really want to use bones for the fins.
I then made a duplicate of this new model file, and a duplicate of the texture. The texture was then modified to look like a beaten, sick fish. This was saved, and put on my new model. I then cut tears on the fins to simulate fin tear.
I then had my two fish... one healthy, and one battered (no pun intended ) and was ready to set them up in Layout.
Part Two: Setting up in Layout coming soon!
Hello,
I am a Christian Filmmaker from the San Antonio area. I'm going to be sharing, as said above, Tips, Tricks, News, and Reviews to help the community.
God bless, and I hope the blog is a help to you all.